d-RLY?

For sure. It might be that my city has a regional hospital in addition to being pretty close to a much larger city with multiple hospitals. Also likely helps that the larger city nearby has an airport which UPS and Fedex (might also have others) hubs in it. Along with those shipping companies having big ground sorting/shipping facilities in the same city.

I can currently roll with the prices as long as I can still get my meds. Just hoping that the generic versions are able to catch up next year.

That would be great. My insurance was already not covering Vyvanse super well, but I at least had the extra coupon thing from Vyvanse that was getting it under $80 per month. But the start of this year Vyvanse stopped the coupon since there was a generic and my insurance was also pushing that. Which I didn’t realize was a thing until I was about a week and a half past my refill and just kept getting auto calls from Walgreens that it was delayed.

Found out it was because the generic was on back order and they literally didn’t know when they (or any location in my county or the next one over) would even get it. So I had to demand that they just fill the name brand since I can’t function at work. The pharmacist was like “It will be over $200, are you sure you don’t want to wait?”. And all I could say was “Not like I really have a choice atm if I want to have my meds.” Which while the price was (and still is) fucked. I am glad I didn’t just keep waiting. I just said to put it on my file that I request the name brand if the generic isn’t available.

It does seem that the insurance has also seen this happening to a fuck ton of people as they are back to at least covering what they were before. Which is still costing me around $125 or so a month since Vyvanse didn’t re-instate their coupon. I had thought about going back to Adderall, but it doesn’t last as long and I have heard there have been shortages for both name brand and generic before Vyvanse and its generic.

Or keep the guillotine.

Like others here, I tend to only download when I find (or remember) something I like. Most of the stuff I have was either downloaded to watch or listen to right away. Others are things I watched at some point, or that I just finished and really liked. Especially anything exclusive from the current services since they don’t bother to release physical copies (or even legal digital purchases for that matter). When they do release a disc they fuck up getting any money from me by virtue of a HD/4k being only released on DVD.

After seeing the more and more open statements and updated TOS’s about losing things if they just decide to ditch an outlet. I finally got around to getting a BDXL drive for my PC and flashed the unlock firmware. So I plan to rip my discs to have all the access I can give myself. Sadly I really really need to commit to getting some actual capacity drives, and move my server to a dedicated PC and not just keep running off my daily PC (though it can handle double duty pretty easy after a couple of years of big upgrades).

Weirdly enough my legal digital libraries tend to have more of an issue with “hoarding” if there are like “Steam sales” on whatever service. Also tend to get things that are part of Movies Anywhere since it is basically the closest thing to having a bit of protection of not losing stuff if any one service closes. Helpful for my current lacking of proper drive space. And I plan to rip those streams once the other PC gets built (or until I build a new main PC and setup the current as dedicated).

It really depends on the media and my level of interest in it. I was only bothering to try and get 1080p copies of stuff I liked due to only having a 1080p TV for so long. But I did make efforts to get 1080 where possible (and based on my drives at the time) even before I had a HD TV and the only thing I had to actually watch that resolution on was my laptop. And that was because I wanted to make sure I had (at the time) the best copies of torrented encodes of stuff I really loved and would want to look good later. But I got a 4K HDR TV a few months ago as my 13yo 1080p TV started just giving black screens on all inputs. And while a lot of things are fine, the limitations of the encodes are showing much more.

If I am just checking out something that I have heard about or was told to check out by a friend. I might just grab a 1080 or even 720 copy since they are often the top seeded results. Then go back and find 4k copies if I really get into it. Though my main issue today is similar to back when I was using my laptop. Storage space. I started ripping my Blu-rays and I am the worst about dealing with compression stuff. So I really really need to get on making that media server I have been “meaning to build” for years. Get some 18TB or 20TB drives and RAID the shit out of them for redundancy. lol.

I tend to notice the drop in quality in more slow scenes since there is more time to notice it. Though very action heavy scenes do suffer if the encode is bad. It would be really nice if we did see more shit in 60fps though. I understand what lots of “but 24fps is more ‘cinematic’” mean for some kinds of shots/movies. But after being so adjusted to 60fps and higher (even if shit is interpolated due to having had a “120Hrz” TV since like 09), shit is much much cleaner. The “soap opera effect” is a real thing, but it kind of just stops being an issue after you get used to it and see the benefits of clarity and smoothness. And it is much more like how seeing shit in real life.

I have been having a real hard time going back to watch movies and especially animated media. Like a panning shot in an anime just looks so damn jittery. It completely takes me out of the thing I am watching as it can make me feel a weird kind of nauseous. Lots of regular movies and shows also do this. Some of it might be due to some stuff that was shot in early digital making it worse. But it does happen with stuff shot on film too.

Just really sucks that the industries seem to go out of their way to make it hard for studios/film makers to try weird shit now that we have it. Like I would love to have the 44fps version of The Hobbit since I missed being able to see it in theatres. But the home releases are all set to traditional speeds. It isn’t a limitation of the Blu-rays themselves from what I understand. But the players tend to only allow 24/30fps for playback. Though I would love to be wrong about that. But still just artificial shit stopping potential advancements (or at least fun efforts to try shit). Those Spiderverse movies being done in layers of different fps rates is an example of trying some weird shit that was dope.

At least it should still work with the hard coded sponsor spots that are actually part of the videos (like the “brought to you by Manscaped” or whatever).

Glad to see someone mention OO. I was going to, and saw your comment. I will always be down for LibreOffice, but OnlyOffice might be the “best” option for lots of people that are easily intimidated with change (or more specifically how something looks different). Even if it is lacking on some features, it just matters how the person it is recommended to uses MS Office. Being fair using MS Office or any of the similar suites is overkill for what they do. If smaller programs like Wordpad (RIP) or opensource Rich Text Format editors could handle so many general purpose documents.

Gintama has some of the funnier versions of those notes. Can be annoying if you don’t care as they take it to 11 covering most of the screen to explain a reference to a bank scandal in the 90s or other very specific stuff. Cracks me up with the level of care about making sure you are aware of something used in a quick joke that might not really matter. Such a nice way to see and know random info on Japanese slang words and phrases in the context of a moment.

Very hard to convince people to buy things “legitimately” and have any trust in any of the “legit” options when they just go away so fucking easily. Stuff like anime has been a real weird example of both how horrible the corps on the Japanese side just squeeze every single fraction of a penny from stuff (fucking like two eps of a show on a modern DVD or even Blu-ray). But also feel zero reason to expand options in the first place. They were so fucking slow to get digital or streaming options. Same goes for the foreign outlets that get rights outside of J-land, but I am sure they were more likely to want to combat piracy via stuff like streaming. Funny thing about anime piracy is that it is literally the reason so many shows and movies were even seen and is the main reason so many people got into all of it. Back in the early 00’s when I made friends with people that had cable internet and ready to burn as many eps as they could fit on a CD-R and later DVD-/+R.

It was just so amazing to see all these shows that weren’t just completely altered by lazy US companies or ever likely to be translated. No US companies thought that Americans would ever understand or get into this weird Japanese stuff and not put money into it. But they sure started caring when torrents got going and the numbers were growing. One thing that has really pissed me off with legal digital copies of anime comes down to how it is still behind on basic shit. We have had multi-audio/subtitles on pirate copies and even on legitimate physical discs. But the legal versions of digital copies still have to be either bought in sub or dub. It is a slap in the face of fans to have to buy two different copies just to have multi-audio in Japanese and English. I thought that shit would have been left behind with VHS.

All of these companies demand our money and often charge prices that are just too high for their target audiences (especially teens that don’t have jobs like so many of us have lived through). And yet they seem to do everything possible to make the options for purchase so much less usable compared to pirate versions. I would take a fansub that might be a bit off but has actual passion for community and accessibility over legit copies every single time. But I am also more than happy to pay for things if I don’t keep being treated like I already stole it and should be grateful for being “allowed” to pay for it. I would love to pay for these things and know that the actual workers are able to live, and not just so overworked and not able to afford rent. But the entire media industry treats both the workers and the customers so fucking bad. They are making things worse for themselves by showing how we can’t trust our purchases to even be around from one day to another. So why shouldn’t we just take it and know that we will have it?

Given how lots of smaller shows and other things will never get re-prints or re-masters on modern media. It is also our jobs to preserve these things that the companies feel aren’t worth the money to do so if they aren’t. If I ever have kids, I would like to be able to know I can show them my favorites. Looks like I will also need to show them how to sail the digital seas and that “legit” options should always be treated as liars that steal your money AND take away what you paid for.

🏴‍☠️