• 3 Posts
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Joined 1 year ago
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Cake day: July 3rd, 2023

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  • I see your point, but I still don’t think the scene works, but thinking about it like that makes it much more watchable. My point is that the scene is simultaneously poignant and a throw-away. It’s a “big deal” but also just one scene.

    By the 32nd century, something like that should be such a non-issue for humans, that it would be like stating just another fact about yourself (amnesia and trust-issues aside), which lends itself to being a throw-away…but that defeats the purpose of the scene. Again, I am all about the message and Stamets’ reaction, but it felt very 21st century and on-the-nose.

    I’d have preferred if Adira were just non-binary from the beginning and maybe have a quick correction of someone when they were misgendered. Or, let that scene be the reveal of something else, like the symbiont. With that change (I’d have to rewatch the season to see where this scene was in relation to the symbiont reveal), I think the scene would still work while tightening up the writing. I also think it’d get the message across, too.

    Now, if the writers really wanted that scene to stay as-is, there are options. Make them an alien from a culture not as enlightened (which would cause other issues) or have this scene play into a bigger theme of Earth backsliding post-Burn (like a Dark Ages) to have mores closer to the 21st century and show the 23rd century crew as horrified by it and work to bring Earth and humanity back toward enlightenment.

    This kinda sums up my main problem with Disco. There were great options on the table to realize a concept, but they just wrote it in an awkward way that is unsatisfying (at least to me). Sometimes, that awkwardness reads as performative/lazily progressive.


  • It’s not that Disco isn’t progressive; it’s just lazily progressive. Case in point: the scene that bothers me to this day is Adira coming out as non-binary, just beyond cringe-worthy and very 21st century. As a viewer, the scene read like Adira was waiting to be judged harshly for their identity, and it just totally took me out of the era. By the 32nd century, I’d expect that being judged harshly for one’s gender identity would be at least a millennium behind us, and the conversation should either have not happened or been so matter-of-fact that it was treated as nothing. I get what the writers were trying to do, and it fell so flat and felt so bluntly obvious. I’m all for the message, but the delivery was not great.

    The saddest thing about Disco to me is that there were great ideas and great intentions, but the execution of those ideas was so poor. Really, it just shows that you can have great actors, great directors, and great concepts, but if the writers can’t make it work, it just all comes apart.


  • The original paper itself, for those who are interested.

    Overall, this is really interesting research and a really good “first step.” I will be interested to see if this can be replicated on other models. One thing that really stood out, though, was that certain details are obfuscated because of Sonnet being proprietary. Hopefully follow-on work is done on one of the open source models to confirm the method.

    One of the notable limitations is quantifying activation’s correlation to text meaning, which will make any sort of controls difficult. Sure, you can just massively increase or decrease a weight, and for some things that will be fine, but for real manual fine tuning, that will prove to be a difficulty.

    I suspect this method is likely generalizable (maybe with some tweaks?), and I’d really be interested to see how this type of analysis could be done on other neural networks.


  • I think what they’re saying is that Americans don’t pay attention and forgot how terrible the Trump presidency was because it’s been a few years. Most people think that “we’re better now” and any major issues have abated without understanding that nothing has fundamentally changed. Because of all that, Trump will win the election. The DnD portion of the post is just what got OP to think about this.

    Sad thing is that there’s merit to the argument. It’s the old trope of “Americans have short memories.”


  • I found myself nodding along to a lot that was said in this article. I also would trace a lot of recent issues to JJ Abrams’ take. What I said then is still (I think) true today: “They are good movies, but they aren’t good Star Trek movies.” Discovery and Picard suffered for it, but I think that the ills are being corrected. My hope is that Paramount greenlights “Legacy” as the TNG-spiritually-successor as SNW is the TOS-spiritual-successor.

    Where I will disagree, though, is that Star Trek isn’t broken. Five-ish years ago, I would have said that, but after SNW, Lower Decks, and Picard season 3, I think the powers that be have a better understanding of what is needed. We were in a bit of a “dark-ages” from 2006-2020, but I think we’re back on the upswing. We may not be quite at 1990s golden age Trek, but we can get close.


  • I’m all about this. When I made my personal webpage, this is how I do it. I’m surprised it’s not more popular (at least for certain things) because it looks nice and clean, is fast, and crucially, is easy to put together. Most webpages don’t need a ton of JS to “accomplish the mission.” I get that not everything can do this, but there are soooooo many sites that can strip down to a more minimal site and have better functionality and a better experience. This is a case of less-is-more.



  • This is a much better article. OP's article just shows the author's surface understanding of how coding works and how well an LLM can actually code. There's way more that goes into a programming task than just coding.

    I see LLMs as having the potential of being almost like a super library. I can prompt GPT, Claude, etc. to write me a custom function that I copy, paste, test, scrutinize, and almost certainly change. It's a tool that will make someone a more productive programmer. It won't completely subsume a human's ability to be creative and put the pieces together.

    At the absolute worst over the next decade, I could see programming changing from writing and debugging code to prompting, stitching together, and debugging.




  • I took a stab at it. Transliterated, it says: “Qapla’. Qu’Dunvad ghunwl’ DlSam.” I ran it through Bing’s translator (since the only word I recognize is Qapla’), and I got “Success. Your baby better is done.” I think the translation is wrong. When I was playing with another translator, it gave me “Success. For the glorious battle has begun” which seems more fitting.






  • I agree with you…to a point. Story should come first, but if a story fails the Blechdel Test, there should be a good, defensible reason for it, and there are good reasons to fail the test, e.g. a story takes place exclusively on a Royal Navy ship circa 1800; there were no women there, so it wouldn’t make sense to pass. I’ll buy it.

    In Star Trek though, there are fewer defensible reasons because of the nature of the show. Off the top of my head, “Measure of a Man” could have Capt. Louvois discussing Android rights with Dr. Pulaski (without mentioning Data) or Troi expressing to Guinan how upsetting it is that these trials are necessary. Does the lack of a scene like that make the episode bad? No. It starts a discussion, though, which is the primary purpose of the test to begin with. In the case of “Measure of a Man,” a scene like that would have probably been left on the cutting room floor to make way for a tighter story that just happened to not have women at the center of it.

    Also, reasonable people can disagree on how important a particular scene could be, but the discussion of female representation is still an important one. The goal isn’t to “pass” the test for everything, but there shouldn’t be an overwhelming amount of failures of the test.