aebletrae [she/her]

Their physiology is barely diverged so their intellects are likely to remain similar. Espionage is frequently the theme of Romulan encounters, which would help keep them up to date. And if they procreate more frequently than every seven years, they might have a much larger population even with greater murderousness, with more people being advantageous for tech development.

chiS peD Soch wo’rIvpu’ je is a classic of the genre, but the sanitization for a human audience is worse than the Disney treatment of the Brothers Grimm.

SuvwI’ qu’ SoH vIHar

Following the links will take you to a handy search tool.

I believe, since it’s a recruitment poster, the translation is “We seek programmers for a great mission.”

• Qu’ = mission
• Dun = to be great
• -vaD = for
• ghun = to program
• -wI’ = one who does
• DI- = we — them
• Sam = to seek

I saw The Wrath of Khan as a kid, quite possibly before seeing any of the series, so there’s never been any question of it not being representative of Star Trek for me, though I can see how someone approaching chronologically might see more of a disparity.

However, TOS had plenty of deaths, including destruction of starships, as did V’Ger’s, uh, collection of data, so does TWoK really stand apart in that regard? Chekov and Terrell kick off the plot while surveying planets, encountering a strange alien creature, and Kirk and co. find an underground paradise; I see that as fitting the explorative aspects of the show, at least somewhat. The villain is defeated with teamwork, deception, and by outplaying him, common to the original series. And the story raises some ethical questions regarding cheating, playing god, and marooning, again in the tradition of the show. I see the differences as more stylistic than substantial, but as I said, personal history affects my perspective.

As far as general movie principles go, music can be a strong influence on audiences, and Wrath of Khan has a great score.