It’s almost difficult to believe Kant wasn’t just pulling a Schrödinger and proposing a ridiculous thought experiment to illustrate the absurdity of genuinely holding those views.

The idea that morality exists only as an intrinsic quality of an action, regardless of context or consequence, is more theology than philosophy. It’s useless to the point of harm to anyone faced with a world beyond a university or a monastery.

I like the part where he begins his 12 page, 8700 word essay explaining the numbering system with “It’s not hard”

The Battle of Endor is definitely the best space battle in a Star Wars movie. People give ROTJ crap because of the Ewoks, but to me they’re a non-issue, especially by prequel/sequel standards.

5,4,6,3,R1,8,2,HardwareWars,7,1,Holiday Special,9

Which will occur at whatever undisclosed time that Windows Updates deems prudent.

That’s pretty cool. Of course Christopher Nolan would insist on editing on film. I bet Tarantino and a few others would as well. In the case of laser printing vs optical printing, he’s probably right, especially at IMAX scale. And you’re absolutely right that he’s choosing it because it’s the highest possible fidelity, whereas someone like Tarantino chooses film for sentimental, kitsch, and artistic reasons. Apparently digital IMAX is still only about 4k at best. In the audio world though, analog DACs really are perfect reproduction many times beyond what is perceptible in sound. Compared to cutting to vinyl from tape, or even transferring from tape to tape, digital is orders of magnitude higher fidelity to the source signal. There’s lots of reasons to love analog audio, but higher measurable fidelity is not among them.

They stopped distributing 35mm film to regular movie theaters in 2014. Only a few modern releases are printed in 70mm IMAX, and only a few IMAX theaters can still project it.

Despite being what a lot of analog fetishists focus on, a purely analog editing chain is not necessarily what causes the effects that they actually like about analog media. Most of it comes from the playback media itself. In the case of vinyl records, there’s mastering techniques that have to be used to make sure the needle stays in the groove that some people feel sound better. There’s minute harmonic distortions that people prefer over the perfectly clear and clean sound of digital. In the case of film payback, you have actual image frames being flashed on the screen. You have shutter dwell where no image is shown at all while the next frame is being advanced. You’d never consciously notice the flicker, but it affects the way you perceive the image and the motion on the screen. Film can have very high contrast and there may also be minor differences in color profile due to being displayed by pigments rather than being created digitally. Most digital media these days is technically far superior to it’s analog counterpart. It just happens that it’s the limitations and artifacts of the analog media that some people find pleasing.