Looks like Palia with hobbits. Personally I’m not too impressed, but maybe it’ll find its niche.
Looks like Palia with hobbits. Personally I’m not too impressed, but maybe it’ll find its niche.
As someone who’s played a lot of GW2 over the past couple of years, I can confirm that it’s still fantastic. It doesn’t get anywhere near the amount of content that WoW gets, but it’s on a good cadance these days and outside of buying expansions, is absolutely playable without spending a penny.
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I thought this was some humanoid donkey before I read the prose. After reading, I guess I was still right in a way.
I felt a little let down when I saw Angel Beats, to be honest. I really enjoyed the ending, and a few plot points here and there, but it felt like they had too much content for a 1-cour show and not enough for a 2-cour, so it ended up feeling a bit rushed, jerking between comedy and tragedy.
Though I think my issue was expecting it to live up to the heights set by Clannad, the eternal final boss of cry-porn. Clannad drained me in a way I didn’t think was possible, and rewatches of key scenes STILL destroy me years later. I can’t go near wheat fields anymore. 11/10, would have multiple breakdowns while contemplating the value of family, again.
The 4-panel comic features Nano Shinonome, a robot girl from the anime Nichijou, leaving a positive message on 4-chan about Hakase (professor), an 8-year-old genius who invented and built her. Being a robot, she feels she can’t morally click the captcha to show she’s not a robot, and is therefore unable to post the message, despite that she wouldn’t be considered a robot in this context.
Looks like Team Rocket is blasting off again…
Helium Rain launched a few years ago as a commercial game with an open source launcher (BSD-3), and as of a few weeks ago the game became free on Steam. The developer is no longer maintaining it, but there’s still a small community that are interested in it.
The gender I’m not attracted to? What one is that? Let me know if you find one.
Most of Dylan’s talks are good, but I liked this one in particular due to it talking about such a relatively old technology and how we’ve gotten used to some arbetary rules that aren’t in the spec. I feel like it does say that we should be careful with the rules we put in place for things like protocols, since sometimes tougher constraints lead to a less ambiguous experience for users and maintainers.
It comes from the publishers in the 90s. They needed an easy way to tell stores/distributors how popular they thought each of their games would be, to help them decide how many of a certain title the distributor should order. The games expected to be GotY contenders would be marked AAA, AA for otherwise decent games, A for more niche games and B for “this is a starshot, we’re hoping it will sell enough to justify production costs”. That then lead to more and more games being marked as AAA due to budgets getting increased, and the whole system became a bit redundant.