This is so great. Thanks for sharing.
This is so great. Thanks for sharing.
I’m probably in the minority, but I like the Epsilon remuxes and then compress it myself to av1 with ffmpeg. DTS-HD MA track goes to opus. I keep the English subtitles as-is.
The irony of posting a font piracy guide in a place that only supports plaintext…
Put it on any pastebin and then just post the link here. Nothing fancy.
I’m not sure what the semantics are. Maybe you defederate from an instance and block a community? But I’m just guessing. Semantics aside, if someone has an account at lemmy.world and tries to access the piracy community, they will not be successful.
Yeah it is super shitty
Yep. They defederated bc of legal risk I think?
Yeah the 560s sound perfect. I’m very excited now. Thank you!!
Perfect! This is exactly what I was looking for. I’ll pick up a pair of the HD560s when it goes on sale. Thank you so much for the recommendation!
I’m in the market for fancy headphones. What do you recommend? I mostly listen to flac tracks ripped from CDs and also would use headphones for watching movies from Jellyfin. All done at home.
This is the only thing I could find on it. Seems it’s still in testing.
Hopefully soon though!
YouTube and Spotify don’t have flac or alac filetypes.
This is what I was looking for. Thank you.
I understand this reference!
Can someone just copy/paste the tweet here
This is really cool.
One thing that I find really helpful is when authors put a sample docker-compose.yml
in their repository and link to it from the readme.md. Helps with the initial lift of getting started.
I laughed.
Definitely not going to map to more volumes than necessary. It’s okay if you ban me. I’ll deal with it.
Just so you know, the example docker compose file has /downloads as the only volume option for media. So I pointed the internal docker folder /downloads at my whole music library.
So you’re almost certainly banning people who are sharing their whole library if they are using the default docker compose file. For example, you would ban me by that rationale.
You absolutely could automate it, but I personally enjoy making the encodes, so I don’t. Especially with movies, sometimes you use opus but on a select few, like the Dune movies, I keep the original atmos audio because it makes the movie experience better imo.
But for tv series, my ffmpeg settings are pretty static so it would be trivial to automate that.