If y9ou are close enough to a system of importance that you can spray it, you are close enough to compromise it in countless other ways.

This is just one of many physical access attacks. Just like “you could take a hammer to it”

Like, I know people want to think this is some Ocean’s Eleven heist waiting to happen. It isn’t. This is only viable if you can drench an area with helium (which means you can already gas everyone you care about) or you have such close physical access that there are so many other things you could do. At best it is an episode of Burn Notice where Michael has to rapidly improvise an escape where his CIA handler of the week already refused to give him something much more useful.

If you are close enough to spray a device you are close enough to just steal it. Or spray the owner.

If you are in a position where you can dump random gases into the air supply to the degree it impacts these devices then they are likely compromised in other ways as well.

I would actually very much argue that the N64 is when they “stopped trying” as it were.

Sony (which is a can of worms on its own), Sega, and even frigging Atari realized that CD-ROM was “the future”. Nintendo… let’s skip the Sony aspect and just say they chose not to.

The end result is that everyone else had 700 MB-ish to use for resources and were working on finding ways to hide the load times (RIP Shang Tsung). Nintendo continued to use a cartridge that could hold 4-12 and later 32 and 64 MB. This meant dialogue and cutscenes remained almost non-existent and texture work was similarly VERY limited in favor of solid colors.

Its Nintendo and most of The Internet are still the kids on the playground looking to beat up the Sega kids so we mostly talk about the good parts of those consoles going forward. But it is always fun to watch one of the Influencers have that “So… outside of like four games the N64 REALLY sucked, huh? BUT THOSE FOUR GAMES ARE THE GREATEST GAMES TO EVER EXIST AND I STILL LOVE YOU MIYAMOTO SAN!!!”. Whereas we all almost universally agree “The Playstation had an amazing library… and most of them look like someone sharted on the screen” because… 700 MB is still not a lot for texture and audio work. And “Oh yeah. The Sega Saturn existed… That was the tower of power, right?”

And from then on? It was gimmick city. The Gamecube was “portable” because of the handle. Wii is obvious. Wii U was marketed atrociously but actually was way ahead of its time in terms of second screen (… I actually loved my Wii U) but was marketed like another condom for a wii mote. And the Switch is obviously the gameboy/console hybrid.

Different people like different games.

But SoD is very much built around that sandbox style gameplay. Your guide is how you connect the evidence of whatever crime you are investigating.

That said: I think the tutorial is “a lot” but it is well worth doing at least a good chunk of it. They do a great job of teaching you the basic steps for how to investigate a murder and what to do next.

Its Nintendo. They are always a decade behind on new technology.

Come 2032 or so they are going to be all about how great this technology that lets them create custom VAs for all their characters (so they never have another Marinet situation) is amazing.

Depending on what that couch has been through, it might be about marking/refreshing territory.

But also understand that there are different kinds of scratching materials and structure. My cat only likes the cardboard kind in a small A3-ish box and that is more because she likes to move it around. For actual scratching she very much prefers the ropier material in something sturdy at a 90 or 45 degree angle that she can really push against without it moving.

And I’ve NEVER seen a cat actually like one of those free standing scratching posts after the first time they push it over during a more energetic session.

I mean… it is removing DRM. It is literally a crack. It is just that people (and outlets) thought they were clever for saying “mod”.

So… the crack is down and now there is even more fuel for the “mods are bad because they are for pirates” stupidity.

I am sure marketing folk have a reason for it but… this really feels like the kind of thing you put alongside the PS5 Pro announcement that the entire planet watched. Rather than leaving everyone wondering “so… why would I buy a ps5 pro?”

Is saving the game from an early leak worth getting rid of physical games? I hope not.

As a PC gamer who has been basically digital only since the late 00s/early 10s? Probably?

But the thing to remember is that, like with DRM, the studios have this data. There are orgs dedicated to analyzing (and selling…) sales data that can detect the impact that Mass Effect PC being “unplayable” for pirates because of securom for the first week or so had on sales (anecdotal but… probably real positive). Because this kind of stuff costs money (well, less so for removing a disc drive…) and they aren’t going to do that if they think it will hurt revenue.

Releasing physical months after the digital release basically guarantees you are only selling to enthusiasts and it no longer is economically viable. That is why companies like LRG exist.

Like almost everything, it isn’t about stopping piracy entirely.

Physical copies get sold early by stores/cashiers that don’t care. Or they get outright pocketed/copied at the factories and warehouses. Which lead to the constant “This nintendo game leaked a week or a month or whatever early”. Which… less so after the lawsuits but it means emulators can be updated to support the games before they even hit shelves.

Digital only doesn’t entirely stop that. But it tends to lead more toward “an unknown fake influencer posted all the cutscenes of this game online a week early”.

And if you are wondering why Sony is killing physical games…

In basically every Yakuza/Like a Dragon game, you play as a former Yakuza who continues to interact with both yakuzas and civillians. Generally speaking, the core story is VERY melodramatic but the sub stories (short side quests) are zany and incredibly horny (one of the most famous ones involved Kiryu teaching a sex worker how to be a dominatrix… at a children’s playground) with generally a really zany side story (longer side quest) where you might own a cabaret club or play pokemon with homeless people or whatever.

That said, Ichiban and Majima (the player character of this installment) tend to have MUCH zanier adventures. Because Kiryu is sort of kind of above it whereas Ichiban is a mentally ill guy who grew up with video games and Majima is half “I act crazy to protect those I love” and half “I am batshit fucking insane”.

So what I expect from this? Incredibly zany opening as an amnesiac Goro Majima comes to terms with waking up in Hawaii (the R in RGG stands for “Reuse excessively”). And he’ll become a pirate to fight all the evil pirates (past games had Kiryu lead an army to fight against NJPW wrestlers who had armies of their own) but also likely rob some fools what need robbing because…

Kiryu semi-officially does not kill (it is ambiguous and unclear how much is a meme based on a mistranslation). Majima leaves huge piles of corpses in his wake.

And then, around chapter 6 or so, we’ll find out why Majima is in Hawaii. Shooting my shot (and obviously spoiler tagging it) but I expect

At its core, the Yakuza games are incredibly heartfelt Japanese Crime Dramas with Soap Opera plots weaved in. Sometimes you are a criminal and sometimes you are someone caught up in it all. You usually have a very personal stake in the overall story whether it is protecting your kids or figuring out what really happened to your baseball career. But always, you are someone who cares about those that society ignores (homeless people, sex workers, trans folk, former yakuza, etc) who is inevitably willing to stand up against the forces of light and darkness to protect them. Because the yakuza/LAD games are not about being a modern day yakuza. They are about the ideal of the yakuza of olde.

For those unaware, most criminal organizations rise to power because of a lack of protection from the government. Many predominantly African American or Latino gangs very much “began” to protect their communities from racism and bigotry. And Warrior was a show that depicted this with Chinese triads in turn of the century San Francisco. They were far from altruistic organizations but they fulfilled a role the cops actively refused to (often fighting against the cops themselves). And, over the decades, efforts are made to villify them which results in nobody “good” joining which, in turn, results in only the worst of the worst joining.

In Japan, this very much happened with the yakuza. Getting into their feudal counterparts is complex but the LAD games touch on this with Hiroshima in 6. Following the war, the Japanese government was in shambles and a lot of people were left to fend for themselves. Crime families stepped in to act as small mini governments and protect and provide for Their people (for a totally modest fee…). But, over the decades, the Japanese government did a spectacular job of villifying the yakuza to the point that only the most evil fuckers join (many of Takashi Miike’s movies touch on this. And he even did a LAD short film back in the day)

Which is where the games come in. Kiryu, Ichiban, and Yagami and their crews are very much what a yakuza SHOULD be. They are people who have forsaken their role in polite society because they want to protect those who can’t protect themselves. They are far from perfect but that is how you get those sharp contrasts of partying it up and fighting off hordes of drunk salarymen for fun to realizing a group of sex workers have been abducted and are being trafficked to who knows where all in the name of “progress”.

And its how you get those cliche anime bullshit moments of the evil crime lord you have been feuding with the first half of the game suddenly becomes one of your strongest allies when it is revealed that a government organization is brutalizing people. Because he also feels the same way and agrees that putting a stop to this Evil is far more important than who has control of a street.

I mean… where do you think the “this has a terrible launch” comes from?

If Influencers like a game, everyone looks past the massive performance and stability issues. If influencers don’t like a game, a single crash is enough to mark it as trash that should be ignored until a couple patches… which is a death sentence for a multiplayer game that requires a critical mass of players to be worth buying.

Ah. Shame on me for not reading the article. Usually associate the director of a big game as high up enough in the studio that they still get good money.

In that case… this is completely pointless and is just an attempt to avoid needing to figure out the right tone for the “This is the worst day of my life and I am so sad that I just fired a couple dozen people because of my business decisions” linkedin post that is usually associated with the mass layoffs. He isn’t even metaphorically falling on his sword. He is just washing his hands of it.

A lot of games media has talked on it (to varying degrees). But Concord basically had a bad beta/demo and launched at a time when EVERYONE wanted live games to fail (see: Stop Killing Games Initiative). AND it managed to piss off the gamergaters in the process.

We’ve seen this to a lesser degree in the past with… basically every Battlefield since the WW1 one? Bad demo/beta (mostly because people still haven’t learned to not play Conquest and to instead play Rush) coupled with the CoD/BF fanboy war results in outlets and Gamers actively wanting the game to fail and shitting on it every chance they get. It is just that EA understand that BF is the kind of game that still sells enough to justify keeping Dice around.

My assumption is they are making sure they get their severance/golden parachute before the mass layoffs begin. But I guess it is still better than “This is a really hard day for me to fire everyone who put their trust in me. I am going to go drown my sorrows in a prostitute that is waiting with blow in my lambo outside” that we usually get.

And “it is already out there so they can’t take it away”:

swanstation is already a few versions back feature wise? But, regardless, it will rapidly become outdated as new “tech” is added to emulation and issues are found with third party libraries or code. Good software needs good support and just having a ten year old hash is almost always worse than useless.

As much as I like Duckstation as an emulator:

Good for him. When the response to trying to protect the project and reduce harassment is… harassment and outlets insisting that they are shitting all over open source and continuing the false narrative that code was stolen? Fuck 'em. They don’t deserve the emulator and we don’t deserve it for letting them be the minimally opposed voices.